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Pinterest In the City, Stewart Williams, a trader 1999. Photograph: Edward Barber During this time, Barber also completed three important social documentary projects: Shipyard , a portrait of what he called an archetypal male-dominated working environment; Family Units , which revealed the wide variety of living conditions among British people from different backgrounds; and Cheshire Home , in which he photographed people with disabilities in their own individually designed rooms in the Cheshire Foundation Home in Liphook, Hampshire . All three were shot in black and white and marked by an attention to stark formal composition. It was through his involvement with Camerawork that Barber met the artist and activist Peter Kennard . Inspired by Kennards anti-nuclear photomontages, he began photographing demonstrators as the Campaign for Nuclear Disarmament launched protests in the wake of the British governments decision in 1980 to house US cruise missiles at Greenham Common, Berkshire. The following year a CND rally at Hyde Park attracted around 300,000 protesters and a womens peace camp was established outside the gates of the RAF/USAF air base at Greenham Common. By homing in on individual protesters with their home-made placards, Barber created an archive of the language and symbolism of 80s street protest, the humour as well as the anger and anxiety. I was never really a photojournalist or a news photographer, he recalled years later. And Id never worked on the streets and there I was thrown out into crowds, which I am not particular fond of anyway.
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